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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Bernardo Strozzi
1581-1644
Italian
Bernardo Strozzi Galleries
Strozzi was born in Genoa. He was probably not related to the other Strozzi family.
In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest).
Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30).
After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione. |
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Bernardo Strozzi
Lute Player
1635
Art History Museum, Vienna
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Bernardo Strozzi
An Allegory of Fame
National Gallery, London
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Bernardo Strozzi
The Holy Family with John the Baptist (mk05)
Canvas,32 1/4 x 41''(82 x 104 cm)Allocated to the Louvre in 1950
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Bernardo Strozzi
Vanitas Allegory (mk08)
c.1635
Oil on canvas
132x108cm
Bologna,Private collection
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Bernardo Strozzi
Allegory of the Arts
mk65
ca.1640
Oil on canvas
60x55"
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Bernardo Strozzi
The Healing of Tobit
mk65
ca.1635
Oil on canvas
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Bernardo Strozzi
Detail of The Healing of Tobit
mk65
Detail
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Bernardo Strozzi
The Portrait of the Wedding Guest
mk67
Oil on canvas
50x74 11/16in
Uffizi
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Bernardo Strozzi
Bernardo Strozzi, Joueuse de viole de gamb
mk79
1635
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Bernardo Strozzi
Woman at the mirror
mk79
About 1635-1640
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Bernardo Strozzi
Vanitas Allegory
mk86
c.1635
Oil on canvas
132x108cm
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Bernardo Strozzi
The Cook
mk156
c.1620
Oil on canvas
177x241cm
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Bernardo Strozzi
A Personification of Fame
mk170
1635-1636
Oil on canvas
106.7x151.7cm
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Bernardo Strozzi
Prophet Elijah and the Widow of Sarepta
1630s
Oil on canvas,
106 x 138 cm
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Bernardo Strozzi
Gamba Player
c. 1635
Oil on canvas,
126 x 99 cm
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Bernardo Strozzi
St Maurice and the Angel
c. 1635
Oil on canvas,
82 x 101 cm
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Bernardo Strozzi
Die eitle Alte
Medium Oil on canvas
Dimensions 135 X 109 cm
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Bernardo Strozzi
The Release of St. Peter
oil on canvas painting by Bernardo Strozzi, , Art Gallery of New South Wales
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Bernardo Strozzi
The Healing of Tobit
Medium Oil on canvas
Dimensions Expression error: Missing operand for *158 ?? 224 cm
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Bernardo Strozzi
lutspelare
cirka 1635
pa duk 76x92cm
se
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| Bernardo Strozzi
|
1581-1644
Italian
Bernardo Strozzi Galleries
Strozzi was born in Genoa. He was probably not related to the other Strozzi family.
In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest).
Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30).
After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.
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